Best Jackets of the Season

With the resort shows starting to surface, here at Albert Zoll, Inc. we decided to do a review of some of the best jackets of the last FW.08 season. Though some are more practical than others, we thought they were all quite relevant and we predict that there will be quite a few re-interpretations and unfortunately knock-offs of the look we have featured. We love the combination of intensely structured tailoring with the unexpected hints of drapery use to create the silhouettes of many of the jackets. And, or course, we had to include a few of the more avant-garde garments such as Chado Ralph Rucci with Rucci's use of line to create the dynamic surface of the jacket, which almost resembles a topographic landscape of sorts. Where Rucci used line, Giles used feathers in a big, big way with his enormous cropped version of a jacket. And finally, we have Balenciaga's eerie embroidered latex jacket which, as with most things that Ghesquiere does, is completely off and bizarre, but it works and is a beautifully designed garment.

The Unconventional Wedding

Balenciaga's Single Seam Wedding Gown - 1967

This wedding gown by Balenciaga was created in 1967, one year before Cristobal Balenciaga decided to officially close the house in 1968. The gown is created with only one seam which creates a simple and very intentional triangular silhouette. This is a prime example of how Balenciaga's work became further simplified and increasingly architectural as his career went on.

Yohji Yamamoto Wedding Dress S.S 2000.
Natural cotton muslin and ivory silk jersey with large laser-cut holes.
Images Courtesy of the Costume Institute

Yamamoto has a unique ability to deconstruct and reinterpret clothing like very few other designers, and this dress is a prime example of that. To view more information about this dress visit one of our favorite blogs blog.mode: addressing fashion by The Costume Institute at the Metropolitan Museum of Art. This gown can be recreated using muslin from Albert Zoll, Inc.

Olivier Theyskens for Nina Ricci
Lauren Davis's reception/after-party gown

Both of Lauren Davis's gown were designed by Olivier Theyskens for Nina Ricci, but of the two, this one remains our favorite. This is the feathered gown she changed into for the wedding reception, and later had Theyskens literally cut into a mini-dress for the after-party. The white feather gown is so beautiful in its simplicity with the allover texture created by the feather embellishment, and also in the clearly flattering silhouette of the dress, but then what else would you expect from Theyskens?

Albert Zoll's has an assortment of items to make any dress you can imagine from feathers, thread, trims and beads.

blog.mode: addressing fashion

The Metropolitan Museum of Art has a blog entitled blog.mode: addressing fashion. This blog has a schedule of upcoming posts as well as a rich variety of past post along with comments. This is a great fashion resource as well as being an exciting opportunity to start a discussion on the current topics. Some recent post topics are shown below. Check out the site. We highly recommend it.

Hussein Chalayan
Alexander McQueen

Yohji Yamamoto